| 25 Years, Anton Kern Gallery, New York |
| Stich für Stich. Faden um Faden–Textile Bild/Räume, Museum Dieselkraftwerk, Cottbus |
| maximal radikal. Textile Objekte, Filme und Performances aus Ost und West von 1970 bis heute, BLMK. Brandenburgisches Landesmuseum für moderne Kunst, Frankfurt (Oder) |
| Pussy, King of the Pirates, Maccarone, Los Angeles |
| bitch MATERial, Studio1 Kunstquartier Bethanien, Berlin |
| Freimütig, Dramaturgie: Tulga Beyerle, Galerie Gebr. Lehmann, Dresden |
| Das Ereignis eines Fadens / The Event of a Thread, Kunsthaus Dresden, Dresden |
| Revolution in the Making: Abstract Sculpture by Women, 1947–2016, Hauser Wirth & Schimmel, Los Angeles |
| Reveal the Rats, The Pit, Los Angeles |
| No Man´s Land - Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami |
| Poor Art–Rich Legacy. Arte Povera and parallel practices 1968–2015, Nationalmuseum Oslo, Oslo |
| Beating around the bush, Episode #2, Bonnefantenmuseum, Maastricht |
| 25, Galerie Gebr. Lehmann, Berlin |
| Paintings, Sculptures, Drawings and Mixed Media Artworks, The Rema Hort Mann Foundation, New York |
| Girls Just Want to Have Funds, La Mama Gallery, New York |
| More to Tell, Museum Het Domein, Sittard |
| Chasm of the Supernova, Center for the Arts Eagle Rock, Los Angeles |
| Niki de Saint Phalle Tirs: Reloaded, Getty’s Pacific Standard Time Performance and Public Art Festival |
| The Artist’s Museum, Museum of Contemporary Art, Los Angeles |
| Investigation of a Dog: Works from the FACE collections, Magasin 3 Stockholm Konsthall, Stockholm |
| les recherches d’un chien, Maison Rouge, Paris |
| Investigation of a dog, Ellipse Fondation, Alcoitao |
| (re)Visions:(di)Visions, Foster Gallery, University of Wisconsin, Eau Claire |
| Investigations of a Dog, Fondazione Sandretto Re Rebaudengo, Turin |
| Double Dutch, Hudson Valley Center for Contemporary Art, Peekskill |
| Directions, A Palazzo Gallery, Brescia |
| Strike a Pose, Stephen Friedman Gallery, London |
| Honor Fraser, Los Angeles |
| Attribution problems, Johann König, Berlin |
| Sonsbeek Sculpture Exhibition, Arnhem |
| Carried away, Museum voor Moderne Kunst, Arnhem |
| Wild West, Galerie Gebr. Lehmann, Berlin |
| Uneasy Angel/Imagine Los Angeles, Sprüth Magers, Munich |
| Read Me! Text In Art, Armory Art, Pasadena |
| Unmonumental: The Object in the 21st century, New Museum, New York |
| USA Today, Hermitage, St. Petersburg |
| To Be Continued…, Magasin 3 Stockholm Konsthall, Stockholm |
| Frac des Pays de la Loire, Carquefou |
| Don’t Let the Boys Win, Mills College Art Museum, Oakland |
| Fantastic Politics, The National Museum of Contemporary Art, Oslo |
| Eight Sculptors from Los Angeles, Sabine Knust, Munich |
| Red Eye: L.A. Artists from the Rubell Family Collection, Rubell Family Collection, Miami |
| Lara Schnitger, Lily van der Stokker, Sue Williams, Modern Art, London |
| Ridykeulous, Participant Inc., New York |
| La Retour de la Colonne Durutti, Gallery Isabella Bortolozzi, Berlin |
| USA Today, The Saatchi Gallery, London |
| Implosion, Anton Kern Gallery, New York |
| The “F” word, Andy Warhol Museum, Pittsburgh |
| THING New Sculpture from Los Angeles, Hammer Museum, Los Angeles |
| Both Ends Burning, David Kordansky Gallery, Los Angeles |
| Follow Me: A Fantasy, Arena 1 Gallery, Santa Monica |
| Forms after David, Accademia di Belle Arti, Florence |
| My Barbarian, Powerplant, Toronto |
| Obsession, Galerie Diana Stigter, Amsterdam |
| M.B. The Mary Blair Story (with My Barbarian), REDCAT Roy and Edna Disney/CalArts Theater, Los Angeles |
| Sectrets of de ‘90s, Museum voor Moderne Kunst, Arnhem |
| Social Fabric, lothringer13, Munich |
| To Be Recycled, Six Months, Los Angeles |
| Nice and Easy, Sprengel Museum, Hanover |
| Building Structures, P.S.1, New York |
| Shanghai Biennale, Shanghai |
| Freestanding, Beaver College Art Gallery, Glenside |
| I Love NY. Benefit show, Anton Kern Gallery, New York |
| 11 x Dutch Art, National Center for Contemporary Art, St. Petersburg |
| Kunst in Actie, Bonnefanten Museum, Maastricht |
| Tomorrow’s fish & chips, Simplonstraße, Berlin |
| Urban Creation, Shanghai Biennale, Shanghai |
| Payijs- Berlijn- Kitakyyushu- 2x New York, Fonds BKVB, Amsterdam |
| Raumkorper, Netze und andere Gebilde, Kunsthalle Basel, Basel |
| The Body Between Condition and Construction, EXPO 2000, Hanover |
| Trendwande, Kunstraum Düsseldorf, Dusseldorf |